I would like to start today’s recap with a literature lesson
(suck it up). Last night, we heard the full name Miles has been using in
Willoughby: Stu Redman. The name sounded familiar to me, and it
was. Stu Redman is the name of a major character from Stephen King’s
apocalyptic novel, The Stand. Long (extremely long) story short:
Stu Redman is one of the extremely few survivors of a ‘super flu’ that leaves
the scraps of humanity left to be the pawns in a battle of supernatural good
and evil represented by an elderly woman and a drifter. It ends with a
nuclear explosion in Las Vegas that kills most of Stu’s friends, even though he
makes it out and back to the woman he loves. He goes on to live a quiet
life with her, both happily ever after. Parallels?
Well, Miles is one of the survivors of the Great Blackout, comes out of the
Tower that launched nuclear strikes against Philly and Atlanta, after
participating in battles for basically the control of the East Coast. He
then brings his girl back home to Texas, and settles down to live the life of
quiet, fairly well-behaved alcoholism near her.
Sadly, this Stu Redman spends a frantic night setting up a
crime scene so there will be trouble between the Texas Rangers and the
Patriots. We see some very shadowy scenes that are meant to convey that
Monroe and Miles set up the Patriot to be Fry’s killer, which for some reason
includes putting someone’s body in the river. The Texas Rangers find the
scene and the body just as Monroe and Miles want them too, and the two seem
pleased, until the next day when Miles finds that Monroe just couldn’t help
himself and had to kidnap/torture/interrogate/kill a Patriot, and has tons of
intel (hint: like Chekhov’s gun, it will have to be used) on the
Patriots. The two are sure that any minute now, the Texas Rangers will
open up a can of Patriot whoopass.
We flashback, suddenly, to a camp scene about 13 years
prior. Only then, it’s Miles that wants to raid some neighbors for a cut
of their cattle and goods, and disappear as ghosts. Monroe tells him to
get a girlfriend. Monroe then checks on Shelly(?), pregnant, and they
rhapsodize over their impending parenthood.
Aaron returns to town, and Rachel brings Charlie back to her
dad’s place, who is ecstatic to see his granddaughter. But he’s angrily
asked where Rachel was, and Rachel and Charlie’s polite routine the next
morning isn’t fooling him. Rachel decides her dad’s place it totally
lame, and goes to Miles’ place in town. Miles and Rachel snap at each
other over Monroe. Miles, showing Rachel all the intel Monroe got that very
morning, has resigned himself to, once again, witnessing Monroe’s psychopathic
behavior and benefitting from it. Rachel, like the mother of a teenager,
tells Miles that he really shouldn’t hang around with guys who torture.
Monroe is finally laying low as he was told, cooking
something in anticipation of the bloodshed show to come by nightfall, when a
grenade explodes in his shack. Dazed and disoriented, he half-decently
tries to fight his way out of a combination of Patriot and Texas forces, but
fails. Miles, Rachel, Charlie, and Aaron watch him being brought into
Willoughby, by an honor guard that includes Ed Truman and General Carver,
President of Texas. They announce that they will bring justice to the war
criminal Sebastian Monroe. Rachel can barely contain her
glee. In Carver’s press corps is Bonnie, a former reporter for
Forbes, who recognizes Aaron as he is reading an old comic about someone who
can make fire, doodling a symbol he’s seeing in a comic supposedly from the
public library (dude, respect library property!). They chat a bit, and
Bonnie says enough for Aaron to realize there will definitely not be any war
between Texas and the US, and wonder why they are now so buddy buddy.
Aaron also realizes his cover is officially blown. Bonnie is all cynical
and jaded, writing only what politicians want to read about themselves “The
truth is not my business,” she tells Aaron.
And… we move to an area about 2 hours’ walking from the
Patriots’ East Coast re-education camp. Allenford says she’s not getting any
closer. She’s totally freaked out about being this close, but Neville is
clear that she’s in it for the duration (well, until Neville can actually see
his son). They discover a campsite with inhabitants that have recently
been brutally murdered, and Allenford is convinced that it was by
subjects from the re-ed camp, and that they’ve stumbled on training grounds,
where re-ed ‘cadets’ learn how to viciously kill strangers. She is now
even more frightened. With reason, because three cadets start shooting at
them. Neville and Allenford make a dash for it, and manage to hide in an
abandoned building, right after Neville realizes one of the cadets is Boy Band
himself. Come on, Tom. Do you really think Boy Band needs the
excuse of re-ed conditioning to want to kill you?
Justice is pretty swift for Monroe; the judge pronounces the
verdict and sentence (death, duh, it’s Texas), while Miles and Charlie get the
bright idea to really get in some trouble by breaking Monroe out, but he is
moved to the bank and it’s vault at the last minute. Miles and Rachel
snap at each other again, as she was the one who advised the Patriots to make
the change. She’s right, of course: why should she lose her man and
her daughter saving such a psychopath? Charlie thinks Monroe’s saving her
in the Plains Nation partially redeems him. Rachel dismisses all
arguments; Monroe is evil, despite being their best shot at confronting the
Patriots, and a savior to her daughter. Let justice happen.
Allenford and Neville confab a bit. We learn that
Allenford witnessed her own son’s “re-education”, and suffered her own
husband’s indifference to it. She’s more frightened of the Patriots than
loyal to them. She’s also convinced this is going to end with either Tom
or Jason dead. Oh, Allenford, don’t you know that Tom and Boy Band’s
tense relationship is one of the show’s biggest draws? Neville shows that
he’s still got it: while Allenford cowers behind a grille, Nevile kills Boy
Band’s drummer and rhythm guitarist, leaving only Boy Band. It goes badly
for Neville, as his own son gets the jump on him and is beating Neville
senseless when Allenford knocks Boy Band out.
Flashback to the camp scene. Shelley’s birth goes
badly. Miles grabs an innocent looking man we will come to know as the
asshole second only to Monroe to get water, and we see Monroe come out with his
hands covered in blood and losing his shit.
Back to Willoughby: Miles is ‘escorted’ to Monroe’s cell, to
find out that Monroe asked to see him and that the Patriots know who “Stu”
really is. Miles shakes Monroes hand a little too long and turns to
leave, when Monroe tells Miles that he has a son by Emma, a woman they both
loved once. Miles returns the favor, informing Monroe that he hid
Monroe’s son and that the kid will always be safe from Monroe. Monroe is
pissy about this. But there’s not much for Monroe to do, as he’s escorted
shortly to his death chamber. Carver and Truman exchange tidbits
like tweenies at a school assembly. Aaron is definitely freaked out by
all this, as he can only see events happening as potential dangers to
him. Rachel’s dad will actually inject Monroe with poison,
and he’s more than happy to do it: Danny was his grandson, after all.
Rachel is assisting, and this definitely has her stamp of approval.
Monroe apologizes to Rachel’s dad, but it really is too late for all this, and
we see Monroe twitch, his eyes go blank in the open position, and Rachel’s dad
pronouncing him dead.
Boy Band wakes up in handcuffs with Neville telling him he’s
going to deprogram him. Boy Band is not cooperating, telling his dad he
knew about Mom’s affair with one of Monroe’s colonels. Between a father
never home and an unfaithful mother, it’s not a big surprise that Boy Band is
fairly disgusted with his parents and has no loyalty left to them.
Working for the Patriots, his dad’s sworn enemy, was probably not a hard choice
for him. But Neville informs his son in no uncertain terms that Neville
has worked, plotted, and killed for his family and what’s left of it will
respect and obey him, dammit.
Flashback again: Monroe is drinking and laughing with
some buds in the campsite thirteen years ago. A clueless Miles enters,
wondering why Monroe is in such a groovy mood after losing both Shelley and the
baby. Monroe tells him that they raided the neighbors Miles wanted to
just steal from, killed everyone, and took whatever they wanted. Miles,
who kind of gave Monroe the idea, is horrified as Monroe tells him he was just
doing what Miles wanted.
Back in Willoughby, “Stu” is drinking, and Charlie comes to
give him some moral support. Miles is convinced that someone must have
given Monroe away, but doesn’t know who. We see four new developments,
all bad: turns out Dr. Rachel’s Dad tipped off the Patriots about Monroe,
and is working them, although he’s pretty clear with Ed Truman that he’s in
charge of how much he cooperates, not Ed; Bonnie, after reminding Aaron that
the truth is not her business, drunkenly tells Aaron that the US and Texas have
agreed that Willoughby will be an island of the US in Texas, with the Patriots
totally running Willoughby now; we see a strangely familiar man ride into town,
and Aaron sees a box on the guy’s wagon with the symbol he’s been doodling in
the comic; and we see Rachel digging up Monroe’s grave.
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